The cue functionality of the DMX Core 100 is the most important feature, and for good reason, as the main functionality is to control light fixtures and pixels, but not striving to be a lighting software/console. A typical workflow is to configure the output ports and then go and
When you're playing back recordings and want to dim or fade the cue you'll run into problems if you're using light fixtures with advanced features like 16-bit values, or strobe/shutter features. When dimming (or fading) each DMX channel will have its value scaled
The DMX Core 100 supports multiple outputs and universes. There are primarily two ways that light content is generated in the DMX Core 100, from cue playback and from the fixture configuration. Both of these generates output into internal universes, called slots and are numbered just like sACN/ArtNet universes,
The DMX Core 100 has support for multiple protocols to control light fixtures and pixels. You can set up any combination of sACN/E1.31, ArtNet, KiNet plus the optional piggy-back board that provides two isolated DMX-512 ports. Two main modes of operation are supported, fixture mode where you configure
There's been a redesign of how you control playback, fades and settings for presets and cues. In the past it was just menu options, but as it took up a little more space than we'd like, there was a re-design to use an "expander"